TWENTYEIGHT FINGERS


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Bronze Finger: Photography by Tim Kendall Rectangle

 

Bronze Editions

One complete set of TWENTYEIGHT FINGERS is being auctioned in London on Wednesday 13th November 2013 by Freedom from Torture at Drawing the Line Under Torture.

A second edition and some individual bronzes are also being sold in aid of the two charities below. A certificate of authenticity signed by Joanna Brown and photograph(s) of the contributor(s) will be included with each piece.

If you are interested please contact Joanna Brown (joanna@jozart.org) for more information.

The Charities

The proceeds of the auctions of the bronze casts will go towards art therapy at the Freedom from Torture and The Art House in Wakefield (see below).

Freedom from Torture

Freedom from Torture is the only national organisation in the UK dedicated solely to the rehabilitation of torture survivors, with treatment centres in Birmingham, Glasgow, London, Manchester and Newcastle. In 2011 the organisation received referrals for help from over 1,500 people who came from more than 80 different countries, including high numbers from Iran, Sri Lanka, Afghanistan and the Democratic Republic of Congo. The services provided include medical consultation, forensic documentation of torture and a variety of psychological therapies. Among the range of group therapies facilitated by Freedom from Torture, creative approaches, such as art therapy, are an invaluable part of the holistic approach the organisation takes to meet the complex and diverse needs of survivors of torture living in the UK.

The Art House

The Art House was established to create the integration of disabled and non-disabled artists. Founded in response to barriers to the visual arts, including a profound lack of physically accessible studio space, the organization provides a wide ranging artistic programme and inclusive, flexible and innovative workspace where technicians enable disabled artists and craftspeople to create new work alongside their non-disabled peers.

Bronze Finger: Photography by Tim KendallRectangle

© Joanna Brown 2012